8th Century Thugs
Victor David Hanson worries that the West is permitting itself to be bullied by what amounts to a Muslim temper tantrum, and that the consequences to Western civilization could be awful.
In the post-Osama bin Laden and suicide-belt world of our own, we shudder at these fanatical riots, convincing ourselves that perhaps the Salman Rushdies, Theo Van Goghs, and Danish cartoonists of the world had it coming. All the while, we think to ourselves about the fact that we do not threaten to kill Muslims when they promulgate daily streams of hate and racism in sermons and papers, and much less would we go about promising death to the creator of "Piss Christ" or the Da Vinci Code. How ironic that we now find politically-correct Westerners — those who formerly claimed they would defend to the last the right of an Andres Serrano or Dan Brown to offend Christians — turning on the far milder artists who rile Muslims.Hanson points out, quite correctly, that for the last ten centuries, Muslim culture has been backward and intellectually moribund, a bitter and parasitic culture well aware of its third rate status, but unable to extricate itself from its self-imposed squalor.
The radical Islamists are our generation's book burners who search for secular Galileos and Newtons. They are the new Nazi censors who sniff out anything favorable to the Jews. These fundamentalists are akin to the Soviet commissars who once decreed all art must serve political struggle — or else.
If we give in to these 8th-century clerics, shortly we will be living in an 8th century ourselves, where we may say, hear, and do nothing that might offend a fundamentalist Muslim — and, to assuage our treachery to freedom and liberalism, we'll always be equipped with the new rationale of multiculturalism and cultural equivalence which so poorly cloaks our abject fear.
The Islamists are also sad bullies, who hunt out causes for offense in the most obscure places, but would recoil at the first sign of Western defiance. Turkey may say little to the Islamists now, but they would say lots if the European Union decided to pass on its inclusion into the union. Local imams sound fiery, but if the West is too debauched a place for any pure Muslim to endure, why then do they not lead, Moses-like, an exodus of the devout away from the rising flood of decadence, and back to the paradise of a purer Syria or Algeria?Sadly, decades of multiculturalist thought-policing in the West, combined in unfettered immigration has left the Western world incapable of standing up to angry Muslim mobs. The real beneficiaries of the cartoon row will likely be the Chinese, who are getting an eye-opening lesson about the weakness of the West. Who needs missiles and bombers and tanks to defeat the West when a few thousand angry rioters can do the same thing by screaming hysterical threats and burning a few flags? The problem is that the Chinese make missiles, bombers and tanks (and a whole lot more), whilst the Muslims make only noise.
Third, the bogus notion of multiculturalism has blinded us to a simple truth: we in the West can live according to our own values and should not allow those radicals who embrace or condone polygamy, gender apartheid, religious intolerance, political autocracy, homosexual persecution, honor killings, female circumcision, and a host of other unmentionables to threaten our citizens within our own countries.
The deluded here might believe that the divide is a moral one, between a supposedly decadent secular West and a pious Middle East, rather than an existential one that is fueled by envy, jealousy, self-pity, and victimization. But to believe the cartoons represent the genuine anguish of an aggrieved puritanical society tainted by Western decadence, one would have to ignore that Turkey is the global nexus for the sex-slave market, that Afghanistan is the world's opium farm, that the Saudi Royals have redefined casino junketeering, and that the repository of Hitlerian imagery is in the West Bank and Iran.